Working as a borrower, I distort a feminine archetype never intended for me, reworking it through a home tape recording of a song from the cult classic Little Shop of Horrors, by Howard Ashman and Alan Menken. The lyrics balance self-aware camp with tender aspiration, drawing on a queer, trans lineage of performance as both survival and self-definition. Through surrealist imagery and DIY production, the film frames womanhood not as a fixed inheritance but as a form of resistance assembled at home, articulating a shared yearning within the trans community.